'In Her Hand: Letters of Romantic-Era British Women Writers in New Zealand Collections'

[This was a project I was fortunate enough to be involved in before leaving New Zealand. Well done to Tom McLean and Shef Rogers (Department of English, University of Otago) for putting together such a great course based on primary material, and many congratulations to the students, who really took ownership of the assignment.]

Cover design by Elicia Milne and Jon Thom 

In Her Hand: Letters of Romantic-Era British Women Writers in New Zealand Collections
By the Otago Students of Letters
Published by the Department of English, University of Otago, 2013 

In the late eighteenth and early nineteenth centuries, many female authors challenged societal expectations. Everyone knows about Jane Austen and Mary Shelley, but Austen and Shelley’s contemporaries included leading women novelists, poets, playwrights, essayists, historians and philanthropists. In Her Hand presents more than fifty previously unpublished letters written by eleven of these women: Anna Barbauld, Hannah More, Joanna Baillie, Jane Porter, Lady Morgan, Lucy Aikin, Amelia Opie, Lady Byron, Felicia Hemans, Anna Jameson and Maria Jane Jewsbury. Little known today, most of these women were household names to British readers two hundred years ago. 

But what also makes In Her Hand distinctive is the fact that these letters have been hidden away in public library collections in New Zealand—in Auckland, Wellington, Invercargill, and especially Dunedin. Had they been in US or UK collections, many of these letters would have been published long ago.

Furthermore, the authors of this book are not professional academics but rather eleven University of Otago English honours students who enrolled in the class ENGL404: Writing For Publication. The course was coordinated by Dr Tom McLean, who has published on many of the writers featured in the collection and thus could check the accuracy of students’ work; and Dr Shef Rogers, who edits the journal Script & Print and the New Zealand Colonial Texts series and oversaw the technical and editorial sides of the book’s production.

Over the course of a single semester, students examined the lives and works of their writers, transcribed the letters (often a challenge in itself), and identified important information relating to the letters. When their own research hit a dead end, McLean put the students in contact with expert scholars in the United States, the United Kingdom, and Australia, who generously shared their knowledge of these women writers. Students also shared in the production work: choosing fonts, creating a cover, checking proofs, organizing permissions for images, assembling introductory material and creating an index. As a result, the “Otago Students of Letters” (as they call themselves) have had an amazing opportunity to work with rare, unpublished manuscripts, and to be involved in all aspects of book production.

In Her Hand is the perfect introduction to a group of remarkable and rediscovered British women writers. Each chapter offers a short biography, transcriptions of the new letters and a discussion of their significance. The letters range in theme from publishing and literary endeavours to spiritual and family concerns. Anyone interested in British literature in the era of Austen, Shelley, William Wordsworth and Lord Byron will find these letters fascinating.

In Her Hand is available from the Department of English (order form). Follow this link for a sample of the text.

The Oldest English Binding in New Zealand

The oldest English binding in New Zealand has been identified by Donald Kerr, Special Collections Librarian, University of Otago, and reported in the Otago Daily Times. The binding by Rood and Hunt, Oxford, dates to 1482, and covers a volume of Nicholas de Lyra's commentary on the Bible printed in Venice by Johannes Herbort de Seligenstadt the previous year. At some point in its history, much of the binding's spine and spine edge were damaged and replaced.

The book is also notable for another reason: the fragments of indulgences printed by William Caxton (Westminster, after 9 August 1480) and John Lettou (London, after 1480), which were used as sewing guards. These were identified by Christopher de Hamel, who first reported his findings to the Oxford Bibliographical Society in 1982 and included them as part of his 2009 Lyell Lectures.

Courtesy of Special Collections,
University of Otago

The book (and many others) will be on display in the exhibition 'From Pigskin to Paper: The Art and Craft of  Bookbinding', Special Collections, de Beer Gallery, University of Otago, scheduled to open on 20 December.

Major Ornament Study Digitized And Freely Available

[The following was posted to Exlibris-l by Shef Rogers, Senior Lecturer in English, University of Otago]

Samuel Richardson by Mason Chamberlin

The Department of English at the University of Otago and Dr. Keith Maslen are delighted to announce that Keith's book, Samuel Richardson of London Printer: A Study of his Printing based on Ornament Use and Business Accounts (Dunedin, 2001; ISBN: 0-473-07760-4), has been deposited in the OURArchive as a freely available PDF.

The book is released along with a free PDF of Dr. Maslen's recent supplementary study identifying further works printed using Richardson ornaments, "Samuel Richardson of London, Printer: Further Extending the Canon," published last month in Script & Print: Bulletin of the Bibliographical Society of Australia and New Zealand.

Both items are published under a Creative Commons Attribution–Non-Commercial–No Derivatives license. Any queries, additions or other thoughts will be gladly received by Dr. Maslen (contact details).

A few (c. 5) printed copies of the book remain available for purchase via the English Department at Otago. An order form and details are to be found on the web.

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My congratulations to Keith and the University of Otago for making these resources freely and widely available.

Rare Book School 2013, Dunedin

The eighth Australian and New Zealand Rare Book School is being hosted next year by the Centre for the Book, University of Otago, in Dunedin, New Zealand.

Running from 28 January to 1 February 2013, the three courses on offer are:

The Business of Books in Britain (James Raven)
This course offers broad consideration of developments in historical bibliography and what has become known as ‘the history of the book’ by focusing on the productive transformation of printing, publishing and bookselling in Britain during the last two hundred years or so of the dominance of the manual printing press (full description).

James Raven is Professor of Modern History at the University of Essex. Author of numerous articles and books, he wrote The Business of Books: Booksellers and the English Book Trade 1450–1850 in 2007, which went on to win the 2008 De Long prize. He and Leslie Howsam have just published an edited collection of essays on trans-Atlantic book history, Books between Europe and the Americas: Connections and Communities, 1620–1860 (2011).

English Paleography, 1500–1700 (Heather Wolfe)
This course provides an intensive introduction to handwriting in early modern England, with a particular emphasis on English secretary hand. Working from digital images, color photocopies, and manuscripts, participants will be trained in the accurate reading and transcription of secretary, italic, and mixed hands (full description).

Heather Wolfe is Curator of Manuscripts at the Folger Shakespeare Library, Washington, DC. Author of numerous articles on early modern manuscripts, she has most recently edited The Literary Career and Legacy of Elizabeth Cary (2007) and The Trevelyon Miscellany of 1608: A Facsimile Edition of Folger Shakespeare Library MS V.b.232 (2007). She has taught paleography several times at Rare Book School in Charlottesville, VA.

Exhibitions: The Art and Practicalities (Donald Kerr and Richard Overell)
This course examines the philosophy behind exhibitions, particularly sourcing ideas and proposals on what to exhibit and when, along with curatorial issues such as selecting items to display, assessing lighting and cabinet sizes, and designing captions and labels, through to making cradles for books, press release writing, and ensuring the narrative is not only told, but suits the audience (full description).

Donald Kerr is Special Collections Librarian at the University of Otago, author of numerous articles, and biographer of Sir George Grey. He is co-director of the University of Otago Centre for the Book and President of the Bibliographical Society of Australia and New Zealand.

Richard Overell is Rare Books Librarian at Monash University, where he has been the curator of about 100 exhibitions ranging from 'The Restoration' to 'Ephemera'.

Application forms will be available shortly. For a course brochure (PDF), tuition costs, contact details and other information, please visit the Centre for the Book Rare Book School website.

UPDATE: Application forms are now available.